The future is owned by those who own the cubic story real estate, the skill to build it and it’s production. Hyv, Tu-Is, the Storycube and ‘intragrated’ retail. (As opposed to integrated retail). https://dlwillson.wordpress.com/2013/06/20/storycubes-create-multiple-viewings/ & https://dlwillson.wordpress.com/2011/01/20/what-is-hyv/
Originally shared/published January 20, 2011
Hyv was originally short for Hypervideo when I coined it 6 (now 10) years ago. It became an architectural (both content architecture and technical architecture) term for the teams I work with for use of and implementation of interactive tv/film/transmedia interface… …where in the data/metadata that would be in the hypervideo would be transportable/interoperable. Further taking it to be “layerable” We have pushed for half a decade for browsers to implement transparent synced layers. The “hyv” layer then would have metadata etc for implementation both with HTML5 & the Hyv layers…making it transferrable to other medium and artifacts. Hyv makes hypervideo/hyperaudio/hypetext/hypersync and AR equal. It makes it easier in our specific implementation for interactive film/television, game development that is heavily based on video and platforms outside the screen including augmented reality, transmedia and multi-platform and artifacts in the real world. It has lead to us creating what we call portkeys, wormholes, & horcruxes (artifacts that are keys in the real world)…That are portals within, into and between stories and productions, that link to the outside world and that link to integrated retail. It has also raised the spectre of varying timecodes/timeclocks in story/audience worlds.
We also have been lately using the term in naming an initiative we have been forming between game developers, filmmakers, journalists, web development etc… to Innovate Storycube content architecture via Transmedia and more integrated forms of Content with geo-location, the cloud, the browser, augmented reality and inventing a new writing format for story inception.
Math
The Passion of Alan Turing
by dl willson
Opening Scene
open to :
A hand… an apple is picked up from a pile. It is held. It is injected with a syringe. It is slowly about to be placed on an old kitchen table. Diane Birch’s “Magic View” plays
( http://open.spotify.com/track/7IoGPqAKsP5ItCqO8ZfVG6)
Ext. Turing Home – Sunrise
We open on a house, in the words of Joyce’s Araby, “at the blind end, detached from its neighbours in a square ground.” Tracking in slowly we hear a mumble
V.O.
Morcom.
…and the year,”1954″, appears on the screen. Like pings of noise, or Brad Pitt in Fight Club …there are flashes of frames of the violence of WWII, the holocaust, the great strike, upheaval in India, computer keys being typed, the noise of the city, the iPhone, computers, city streets, celebrations of D-Day, gay pride, Iran twitter feeds, etc.
…and silence, again, as the tracking stops,… framing the lonely English house.
cut to:
Int. Bedroom – continuous
We cut inside to a partial view of a man mumbling in his sleep as the sun is trying to creep around the pulled shades. We see a glimpse of what may seem like a breast…but it is definitively a man’s voice whispering a man’s name.
Alan
Morcom…Please Morcom….please.
We see his shadow wake and exit.
cut to:
Int. Kitchen – moments later
Apples sit on the table in a disorganized kitchen. The figure passes them.
We see running shoes packed behind others and the figure passes them and steps back into frame looking at them.
Ext. Turing House – soon after
The sun is just rising as Alan Turing, 41, is exiting in proper running clothing, the shape of what seems like breasts show through his thin running shirt. As he is walking to the road a day worker comes around the corner. Turing sees him and stares for just a moment before heading back into the house.
Ext. Turing’s House – later
Turing is about to run from his front yard, when a worker comes walking up the road. Turing turns to head back in. He drops a large sweater he was carrying but decides not to retrieve it. The worker notices Turing drop the sweater and retrieves it.
Worker
Sir?!
Turing stops and half turns. Smiling large like that of a man who helped his country defeat the biggest evil the modern world had ever seen.
Worker
You dropped your sweater, it’d be big enough
you’d think yo…
The man notices Turing’s small breasts… …and stares before his reaction changes. Turing sees his reaction but ignores it.
Turing
yes. Well, …I am getting older
Turing chuckles to the man staring in disgust.
Turing (cont.)
I seem to forget things… Well thank you
Worker
What the bollocks is wrong with your…
Turing turns to enter back to his house.
Turing
Thank you.
He heads back toward the house as the man continues on his way.
Int. Turing Kitchen – moments later
The apple is in Turing’s hands as he places it down on the table near the pile from which he had gotten it. He goes to the window to see if anyone is now in sight. He puts on the sweater.
We see him running sweating profusely from wearing a large over-sized sweater in the middle of the summer. His feet get louder as poem rolls over in his head.
Turing (V.O.)
Hyperboloids of wondrous Light
Rolling for aye through Space and Time
Harbour those Waves which somehow Might
Play out God’s holy pantomime
He repeats this over and over to the rhythm of his feet. As we watch the feet…
fade to:
Ext. Railroad Tracks – Day
…they become a child’s over railroad tracks. We hear Indian dialects shouting like a market merging and fading from his poem. We see Turing at 8 years old running along tracks with a note in his hand. It is a telegraph from his parents… He falls.
Superimposed image. of the scene his mother is describing in the telegraph- India in the 20’s and we follow a man arguing with a group of Indian men to place the railroad ties correctly…as they sit watching. It is Julius Turing…
Weighing Byzantine Fault Tolerance.
https://youtu.be/c6_AXwAcUnU – at Hyvquarters
View on Path
GAN’s are getting scary. Level of quality is exceptional (& should scare people in our present political climate and organization/news sources to create fake nuance to fictional propaganda).
..if you don’t understand, the people in these photos aren’t real. GANs are the new dialectic that can destroy the dialectic.
http://research.nvidia.com/publication/2017-10_Progressive-Growing-of – at Hyvquarters
View on Path
So many lessons for the Hyv to be reminded of here. https://venturebeat.com/2017/10/26/super-mario-odyssey-review/ – at PARMA Licensing
View on Path
As Joe Lewis has left yesterday (we’re now up to a 4 shake up) … everyone needs ‘the next Game of Thrones and Stranger Things. 😉😎🤔😈😈😈😈😈😈😈😈😎😎😎😎😎😎 ..all that and so much more. #thecamp #im2bthehyv #storycubes #cubicmedia
https://techcrunch.com/2017/10/20/apple-hires-amazon-studios-exec-morgan-wandell-in-push-for-scripted-programming/ – at Colcord Pond
View on Path
There are hundreds of tentpole movies in the pipeline. Event films. Costing billions of dollars from the industry…
if the numbers are true (& this weekend and this year show it probably is)… and there is only room for 5-7 of these a year…
The industry has a bottleneck and tragic implosion of money/revenues coming like we have not seen.
Unless someone is standing there with a new model. One that makes sure audience trust is always penultimate. Changes the revenue $$$ model from ‘limit’ to ‘spread’ and has internarrative collaboration for marketing flow.
Hmmm. Wonder who that would be.
Fuck the machine.
Break the machine.
Be ready to pick up the pieces and people when it breaks.
#hyv – at Hyvquarters
View on Path
